All of Mao Zedong’s poems are all in the traditional Chinese verse style. His poems, most of which are romantic ones are generally considered well-written and of high literary and artistic quality. As did most Chinese intellectuals of his generation, Mao Zedong received rigorous education in Chinese classical literature. His style was deeply influenced by the great Tang Dynasty poets Li Bai and Li He. The 68 published poems written by Mao Zedong embrace the Chinese revolution through half a century and possess profound ideological meanings. His poems extolled the heroic revolutionary life led by the proletariat, reflected a great revolutionary's lofty ideals, remarkable vision and courage, and expressed friendship and love under revolutionary conditions. |
Mao Zedong's poetry exhibits a spirit of boldness and power, weaving together history, reality and commitment, and going beyond the limitations of time and space. When writing about history, he kept his sights on reality and lets history encompass the sequence of events. When writing about reality, he posited the possibility of a better world in the future. When writing about ideology, he based it on facts and deployed myth and imagination within a framework of realism. Mao Zedong advocated a method of literary composition that combines revolutionary realism and revolutionary romanticism, and his poetry was a synthesis of his theory and practice. Bold transformation of myth and literary quotations are a distinct feature of Mao Zedong’s poetry. His poetry also radiates sweeping and colorful derivation, like in “Spring in a Pleasure Garden·Snow”, which described grand and beautiful imagery, and “The Moon over the Qin Bower·the Loushan Pass”, which was meant to portray a brutal battle scene. What people garner from the poem, however, is a fig with deep colors and elegant structure. The use of colors in poems not only made tangible the poet’s feelings but also deepened the reader’s grasp of the poem. Mao was good at using simile and "evocation" in his poetry, as when he compared a hawk’s acumen and vigor to a revolutionary's keen insight and generosity, or, a plum blossom to the common people’s nobility. In his early works, Mao showed the influence of Tang (618-907) and Song (960-1127) poets. On his “Walk across the Middle Kingdom” he recorded its modern history and used the mystical past to illuminate the present. In several poems he depicted the first battles of the peasant army and national events. After 1949 the poems became more meditative. Some of his most well-known poems are “Changsha” (1925), “The Double Ninth” (1929.10), “Loushan Pass” (1935), “The Long March” (1935), “Snow” (1936.02), “The PLA Captures Nanjing” (1949.04), “Bei Dai River” (1954), “Swim” (1956), “Reply to Li Shuyi” (1957.05.11), and “Ode to the Plum Blossom” (1961.12). Many of Mao Zedong’s poems are still very popular in China. They are frequently quoted in popular culture, literature and daily conversations. Mao Zedong's poetry has been translated into English, Russian, French, German, Japanese, Indian and Greek, etc., exerting a far-reaching influence in the world. |